In the survey of critics in the yearbook ballettanz 2008, Arnd Wesemann chose Marguerite Donlon‘s "Le sacre du printemps" as the most important Production of the year 2008. He describes Donlon‘s "Sacre" as "a reflection of all "Sacres" in front of a huge mirror."
„The dance vocabulary is beseeching in its willful racy elegance: flowing and damming instead of stamping. The human crowd gains most intense and creatural animalism:torn feet, spider-legs, bent heads. Aoi Nakamura hurls herself into her role as victim, first trembling with fear, later on ecstatic in her rebellion; an exceptional dancer in an ensemble that gives reason for jubilations.“ Saarbrücker Zeitung
